日常生活的诗意:丰子恺散文的生态批评

On Ecological Criticism of Feng Zikai's Prose

丰子恺的言说中心是"人",也即"仁",是与生生不息的自然相生相映的"我",却不是单纯的现代中国"五四"启蒙主义语境中的"个人",也不是局促于中国传统艺术精神的尺幅之内的渺小和面目不清的名流士子,而是在近代以来中西文化的比较视野中,创生了具有生态整体主义意味的新的自然与人的关系维度;在他者即是自身,自身亦是他者的不隔和具有生态整体主义的现代性思想整和中扬弃了中国深厚的人文传统和西方现代性的人文精神,由日常性的生活形式本身发掘出"根"的生态意象,肯定了重新植根所包蕴的自然与人、自然与社会、人与社会和谐相处的生态伦理价值。

The focus of Feng Zikai＇s discourse is ＂benevolence＂, which is closely related with ＂I＂, but not simply means ＂individual＂ in the enlightenment context of May Forth Movement. It has the feature of ecological entirety of relationship between nature and man; ＂Self＂ refers to people be described in his works; the ecological image of ＂root＇ was discovered in daily life. Fen Zikai＇s works made positive comments on ecological ethic value of harmony between nature and man, between nature and society, between man and society.