摘要
二胡协奏曲《花木兰》在充分体现河南本土音乐风格的基础之上,又作了超乎寻常的创新。在结构上,速度、材料和调性布局等方面的结合完全不同于西方交响作品的构思,但我们仔细听下来,却发现其完好的展现了其交响性,而不仅仅只是线性思维。在风格特点上,歌舞音乐的主调性、文学结构中的戏剧性等手法都体现了中西文化的优势,用作者自己的话说:"民族的东西,有其自己独特的表现,我们在立足传统的基础上,应大胆地借鉴,从中西音乐的结合中为民族音乐的创作开辟出一条新路来"。
This works has made an extraordinary creation On the basis of embodying the Henan's local music style adequately, For the structure, the combination of the speed, the material and the tonality's distribution are completely different from the conceptions of the western symphony, however, after listening to it carefully, we will find that this works shows not Only the whole linear thinking but also the symphonic character. For the style, both the homophony in the song and dance and the dramatic method embody the advantage of the Chinese and Western cultures. Just as the composer said, The national things has its own unique representation, on the basis of tradition, we should draw on the combination of the Chinese and Western music to open up a new way for the creation of Chinese national music.
出处
《怀化学院学报》
2007年第10期83-89,共7页
Journal of Huaihua University
关键词
《花木兰》
呈示部
创作研究
"Hua Mulan"
exposition
creation and research