摘要
一直以来,少数民族艺术作为各民族生活方式的载体及民族文化传承的手段而存在着。当代科技发展引起的民族文化艺术生态格局的变化,使得民族艺术不可避免地具有走向产业化发展的趋势。它是当代科技融入艺术生产,社会资本控制艺术生产的必然结果。文化产业的运营模式,既给民族艺术的创新和发展带来了新的发展天地,又使民族艺术这种精神生产面临"物化"的挑战。这其中积极而良性的调适是极为重要的。对于少数民族艺术的产业化发展,我们需要的是以一种积极的态度去面对。
The minority arts as the carrier of the lifestyle of minority ethnic groups and the means of the inheritance of minority cultures have long been in existence. The development of contemporary science and technology has changed the original styles of minority arts which unavoidably are marching on the way to culture industry, This is the inevitable result of the fusion of modern technology with artifact production and the controlling of artifact by social capital, The operation model of culture industry has brought a new horizon to the innovation and development of ethnic arts but also posed a "materialized challenge" to their traditional spirit, A positive and favorable adjustment of this process plus a correct attitude is crucial to the smooth industrialized development of minority arts.
出处
《云南民族大学学报(哲学社会科学版)》
CSSCI
北大核心
2007年第6期70-73,共4页
Journal of Yunnan Minzu University(Philosophy and Social Sciences Edition)