摘要
严羽《沧浪诗话》出现后,几百年来对此书的争议一直未曾停止,可谓毁誉参半。不仅有对此书观点的不同意见,连他使用的"以禅喻诗"的方法也遭人批判。严羽之所以"以禅喻诗"来说明他的诗学理论,与当时的时代环境和诗学风气有很大关系。"以禅喻诗"只是他采用的一种方法与手段,目的是为了说明诗歌的主旨即是"吟咏情性",这重新开创了中国诗学理论的审美本质。
The disagreements on the Yan Yu's Canglang Shihua's criticism have been continuous in many centuries since its appearanee. The comment on it contain both appreciation and criticism that not only have the different views on it, but also reject his measure of " Buddhist poetry". This article' s author think that the reason that Yan Yu explain the poetic theory with this measure is related to the contemporary environment and poetry culture. The purpose of "Buddhist poetry "is to illuminate that the poem' s main meaning is "delivering the feeling" rather than only the manner of studying the poem, and it has rebuilt the aesthetic essence of Chinese poetic theory.
出处
《殷都学刊》
2007年第3期88-92,共5页
Yindu Journal
关键词
以禅喻诗
理学
禅宗
吟咏情性
buddhist poetry
Li poetics
Zen
yin yong qing xing