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歌剧《白毛女》的原型批评解读 被引量:2

The Interpretation on the Archetypal Criticism of "The White-Haired Girl"
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摘要 通过对《白毛女》的原型批评尝试,试图揭示其政治话语遮蔽下的民间原型特质并从原型视野审视其文化内涵,揭示其文本所体现的政治力量、民间文化和知识分子写作交融的文化多重性,以期使它具有现当代社会文化关怀的价值。 This paper intends to promulgate the archetypal criticism of the Chinese opera "The White - Haired Girl" and tries to reveal the cultural intension of the folk archetype and the nationalsubconscious psychology which camouflage in the political language. So we can find the reasonwhy the real classics texts are so popular.
作者 高娜 王远舟
出处 《鸡西大学学报(综合版)》 2007年第5期74-75,共2页 JOurnal of Jixi University:comprehensive Edition
关键词 《白毛女》 民间原型 文化意义 "The White - Haired Girl" the folk archetype cultural insignificance
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  • 1[3][Fiderel. "Good Hark, Please Return to the Raft!" Five Modes of Literary Criticism. By Scott. Trans. Lan Renzhe. Chongqing; Chongqing Publishing House, 1983. ]
  • 2[5][Frye, Northrop. Anatomy of Criticism. Trans. Chen Hui , Yuan Xianjun and Wu Weiren. Tianjin:Baihua Literature and Art Publishing House, 1998. ]
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  • 4[9][---. The Theory and Practice of Analytical Psychology. Trans. Cheng Qiong and Wang Zuohong. Beijing: The Joint Publishing Company Ltd., 1991. ]
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