《诗品》“雄浑”与西方“崇高”之比较

A Comparison of "Magnificence" in Poetry QualityWith Western "Loftiness"

作为文学的审美范畴,《诗品》的"雄浑"与西方的"崇高"既相似又有所不同。两者在关于主体心质和对象特征的见解上非常接近,都强调审美主体高尚心灵和高昂激情的突出特色,都强调审美对象、审美境界时空数量的"大"和力量气势的"猛"两个侧面的形态特征;而在审美主体和审美对象之间的心物关系上,由于哲学文化根源不同,二者存在着巨大差异,西方的"崇高"强调主客体之间激烈的对立冲突,表现为由痛感到快感的心理过程;《诗品》的"雄浑"具有物我同构、神与物游、物大我亦大的特征,主客体之间是和谐、同体、共生的。

As an aesthetic category of literature, the ＂ magnificence＂ of Poetry Quality and western ＂loftiness＂ have similarities and differences. Both have very similar understanding as regard to subject mind and object features, emphasizing aesthetic subject＇s noble mind and passionate emotion as well as ＂bigness＂ in space and ＂vigor＂ in strength ; while in terms of the relationship between aesthetic subjects and objects, they differ greatly because of different philosophical and cultural origins. Western ＂loftiness＂ attaches great importance to furious conflicts between subjects, showing the psychological process from pain to pleasure. Harmony, homebody and coexistence between subjects and objects characterize the ＂magnificence＂ in Poetry Quality.