金箓斋法与道教造像的形成与展开——以四川省绵阳、安岳、大足摩崖道教造像为中心

The Forming and Development of Jin Lu Zhai Method and Taoist FigureFocusing on the Cliff Stone Carving of Taoist Figures in Mianyang,Anyue and Dazu of Sichuang Province

通过对四川多处隋代、唐代、宋代的道教石刻造像进行了实地调查,将这些道教造像与道教经典及活动相联系,从道教思想史的角度进行分析,讨论了主要造像的身份与性质,认为四川地区现存的这些道教造像几乎都是天师道"道教"信仰的诸神造像。得出两个重要结论:一、这一地区大多数的道教造像都是依据金斋法雕刻的;二、道教造像的供养人都是信仰天师道"道教"的道士及信仰者。

Through field survey on the Taoist figures of stone carving of the Suo,Tang,and Song Dynasties conducted in various parts of Sichuang Province,the author related the Taoist figures with Taoist Classic Docu-ments and texts and Taoist activities.He discussed the status and char-acteristic of the major figures from the aspect of Taoist History of Ideol-ogy and he believed that the existing Taoist figures are almost the im-mortals figures of the Tianshi Taoism.The two conclusions he drew are,first,the most of the Taoist figures were carved in accordance to the Jin Lu Zhai Method;second,the suppliers of the Taoist figures were all the Taoist priests and followers of the Tianshi Taoism.