论李攀龙《古今诗删》的诗学取向

On the Poetic Orientation of LI Pan-long's Selected Anthology of Past and Present Poems

李攀龙编选的《古今诗删》一向被认为代表明代后七子派诗学主张的古诗选本。从选本推崇盛唐诗等方面来看,的确体现了复古派主张。前后七子古诗推崇汉魏,但《古今诗删》于汉魏古诗未见有特别的重视,反而多取六朝诗人谢朓、陶渊明及谢灵运等风格清新流丽的古体诗,树立了新的古诗典范,表现出一种比较宽泛的诗学取向。这表明他在具体的选录古诗过程中,并未完全贯彻复古派的诗学主张。

Selected Anthology of Past and Present Poems edited by LI Pan-long has always been regarded as the representative anthology which reflects the poetic thought of the post Seven-scholar School of the Ming Dynasty. This anthology, which prefers the poetry of prosperous Tang period, embodies back-to-the-ancient tendency. Both Pre- and Post-seven-scholar Schools praise highly the poems in Han-wei periods, but this anthology does not pay any special attention to them. Rather, it selects many fresh and elegant poems by XIE Tiao, TAO Yuan-ming and XIE Ling-yun in the Six-Dynasty periods. It sets these poems as examples, and reveals a broader poetic orientation. All this shows that LI Pan-long, in the course of poem selection, does not carry out completely the poetic thought of back-to-the-ancient School.