摘要
唐末时期,艳诗创作呈现出全面泛滥的态势,出现了群体性的大规模创作和彼此间的艳诗唱和。而且还出现了大量的艳体组诗。唐末艳诗往往显得情感单薄,充满感官刺激。这种艳体诗风的泛滥是当时士人颓废心态的反映,也是当时浮华放荡的士人风尚的产物,更与当时士人的审美趣味和诗学观念密切相关。
In the end of Tang Dynasty, the creation of erotic poems was in flood. Many groups of poets ereatod erotic poems on a large seale. Moreover,the poets ereated lots of group erotie poems, The poems was full of stimulation on the sense organ and laek of feeling. The flood of the erotie poems was a refleetion of deeadent sentiments of the poet as well as a result of dissolute and showy prevailing custom of the intellectual. At the same time, the flood of the erotic poems was interrelated with the intellectual ' s aesthetic standards and their poetry idea.
出处
《齐齐哈尔大学学报(哲学社会科学版)》
2007年第6期5-9,共5页
Journal of Qiqihar University(Philosophy & Social Science Edition)
关键词
唐末
艳诗
泛滥
香艳
in the end of tang dynasty
erotic poems
deluge
fragrant and amorous