摘要
人类文化都是以符号化的思维及符号化的行为表现出来的,并且人类文化的全部发展都依赖于这些不同符号的表达,蚕桑文化也不例外。远古时期的华夏民族群体生活中,留下了内涵丰富的以蚕桑为中心的图像符号、传说及史实记载,从一个侧面反映出古代中国农耕社会的原初面貌以及变迁发展。以桑、蚕、丝为主要内容的蚕桑文化元素,成为华夏民族文化体系的重要组成部分,蚕丝及蚕丝服饰成为儒家文化所倡导的礼治思想的外在表现形式。
Human culture is displayed through signified thought and behavior, and the Development of culture relies on the conditions as well as these different mark expressions. The silkworm culture is not exceptional. In the ancient times, the life of Chinese has left plentiful picture marks, legends and the historical records of silkworm. In some ways, it reflected the primary appearance about the Chinese agriculture. Silkworm culture with the mulberry, the silkworm and the silk as the main content, becomes the core element of the Chinese national culture. The silk and silk clothing become the external manifestation of ritual thought which the Confucianism advocated.
出处
《西南大学学报(社会科学版)》
CSSCI
北大核心
2007年第6期171-177,共7页
Journal of Southwest University(Social Sciences Edition)
基金
西南大学农业部蚕学重点实验室开放基金"巴蜀蚕丝文化起源与传播研究"(20060328)
项目负责人:陶红
关键词
蚕桑文化
符号构成
礼治内涵
silkworm culture
symbol constitution
ritual connotation