黄遵宪的词学审美理想与实践

Aethetic Ideal and Practice of Huang Zunxian′s Ci

在创作思路的突破中寻求词之制作艺术方面的变化,是弄潮于"诗界革命"的黄遵宪的词学审美理想。在此种理念的驱动下,黄遵宪作词也力图熔铸新理想入旧风格、吸纳新内容入旧格律。尝试克隆"诗界革命"的思维方式却又对词体特征的凝固化特性认识不足,使得黄遵宪试图掀起的是一场在当时难以获得成功的词界革新。不过,黄遵宪"独立苍茫,高唱万峰峰顶"的振臂一呼,为近世中后期国内词坛更为彻底的词界革命起到了导夫先路的作用。

The aesthetic ideal of Huang Zunxian, the risk - taker＇s ci, during the ＂poetry revolution＂, lies in the seeking for variety of the art of writing ci while breaking the traditional thinking method. Driven by this concept, Huang, during his writing of ci, strived to put new ideal into the old style and new content into the old rhyme scheme. He also attempted to clone a revolutionary way of thinking, but did not have a full understanding of the fossilized feature of the style of ci, which caused his failure in his atlempt to launch an innovation in the circle of ci. In spite of the failure, Huang paved the way for a complete revolution of ci in the following era by writing the famous line,＂ Standing alone in the boundless mountain and singing on thousands of penks＂.