中国古代词学批评中的词“媚”论

The Chinese Ancient Ci-poetry Criticism on "Mei" in Ci-poetry

中国古典词学批评中的词"媚"论,大致经历了三个阶段:宋代,"媚"作为审美范畴被引入到词学批评中;明代,词"媚"论得到进一步充实和发展;清代,"媚"在词学批评视野中得到更为广泛地运用与升格。上述历程,标示出"媚"作为我国古典词论的审美范畴经历了一个不断上升、辩证发展的轨迹。"媚"具有"阴柔"、"世俗"、主"形式美"等美学品格,作为一种文体"范式",是对"庄"、"雅"之诗的反常。

The development of the Chinese Ancient Ci-poetry Criticism on ＂mei＂ in Ci-poetry goes through three stages： in this Song Dynasty, ＂Mei＂ as aesthetic category is introduced to the Ci-poetry Criticism; in the Ming Dynasty, the research of ＂Mei＂ in Ci-poetry is further substantiated and developed; while in the Qing Dynasty, it is widely used and promoted in the field of criticism. The course described above indicates that ＂Mei＂ as an aesthetic category has experienced an orbit of rising and dialectical development. ＂Mei＂ has the aesthetic characters of ＂Yinrou＇（feminine）, ＂Shishu＂（Secular） and beauty of forms. As a paradigm of style, ＂Mei＂ is the perversion of ＂Zhuang＂（Seriousness） and ＂Ya＂（Grace）.