摘要
冯煦《宋六十一家词选》以毛晋《宋六十名家词》为选词底本,在力图保存底本基本面貌的基础上,通过例言即《蒿庵论词》整合选词与论词,在结构上起到关联和互补的作用;并阐发甄录本色的编选宗旨,以序次的调整和类组比较的方式勾勒出宋代词史的脉络,成为近代选本批评观念转变的重要标志。
The Anthology of Sixty-one Ci Poets of the Song Dynasty which,compiled by Feng Xu,a famous critic of Ci in the late Qing Dynasty,is based on The Anthology of Sixty famous Ci Poets of the Song Dynasty compiled by Mao Jin.Feng Xu tried to integrate selected Ci and criticism of Ci through The Criticism of Ci written by Hao An for preserving the basic form of the anthology of Ci compiled by Mao Jin.Furthermore,Feng Xu attempted to outline the historical development venation of Ci poetry through the sequence of Ci poets and aesthetic analogy.He proposed 'Ben-se'(original color)theory in the anthology which marked the important transformation of the Ci theory in the late Qing Dynasty.
出处
《中山大学学报(社会科学版)》
CSSCI
北大核心
2007年第6期65-70,共6页
Journal of Sun Yat-sen University(Social Science Edition)
关键词
冯煦
《宋六十一家词选》
选词
论词
Feng Xu
Anthology of Sixty-one Ci Poets of the Song Dynasty
criticism of Ci
selected Ci