摘要
在中国古代礼治文化和专制制度的长期统治下,出于对政治权力的依附和追求,文人群体积淀成某种集体意识,这就是依附心态,而当专制历史使他们的这种依附不可得时,又让他们在心理上成为弱者,形成一种自卑情结。这种期盼与失落并存,自傲与颓废同在的矛盾心理格局,反映在文学作品中,就不可避免地给人留下一种"南柯梦、黄粱枕"的印象。
Under the Ancient times ruled by ritual in China cultural and the despoticsystem , stemming from the political right 's attachment and the pursue, the writer community have to accumulate a kind of collective consciousness, this is the point of view of attachment. But when the despotic history caused their the kind of attachment could not be resulted in, and enabled them to become the weak one in the psychology, they would feel inferior to the others. This kind of coexists of hope with lose, proud with decadence in the conflictive psychological pattern, reflected in the literary works, inevitablely leaves us the signature of The Nanke dream and The HuangLiang pillow.
出处
《牡丹江师范学院学报(社会科学版)》
2007年第6期26-27,共2页
Journal of Mudanjiang Normal University(Social Sciences Edition)
关键词
文人群体
依附心态
自卑情结
the writer community, the point of view of attachment, feeling inferior to the others