摘要
倪瓒的绘画风格以简取胜,创有极富特色的一河两岸三段式的构图,表现出一种极其萧疏空灵、天真淡雅的意境,也形成了他独特的绘画美学思想。本文主要从他提出的"写胸中逸气"、"不求形似"以及"平远三段式构图"来探究其绘画美学思想。
NI-Zan＇s Painting is characterized by simplicity, with creative sketches of a river and two banks to create a lonely and intangible, nave and elegant image, which forms his special aesthetic conception on painting. In this paper, the author is to study NI-Zan＇s aesthetic conception on painting through his view points, such as, describing the carefree elegance in the mind, not just pursuing the similarity in the form and flat sketch of three--paragraph.
出处
《郧阳师范高等专科学校学报》
2007年第5期35-37,共3页
Journal of Yunyang Teachers College
关键词
倪瓒
逸气
形似
三段式
NI--Zan
carefree elegance
similar in the form
three--paragraph
