摘要
通过对毕加索在1907年以前在绘画风格方面的探索,发现其在创作过程中,经历了从变化到定型、吸收与博采的风格流变,得出这样一个结论:对于绘画风格的追求应当建立在对绘画的内在规律与可能性的实质性探索的基础之上。如果画家能够从这样的角度入手进行绘画尝试,就已经为自己的个性化语言体系找到了支点。有了这样的支点,风格的形成和发展也就会在自然而然的过程中水到渠成。可以说,风格其实质在于对绘画语言的深层探究与把握。
By means of probing into the artistic genre of Picasso's paintings created before 1907,it is found that Picasso had gone a process of change to fixation and absorbing others' genre and features in his artistic creation. The conclusion is that artistic pursuit should be based on the internal law of paintings and the probe into substantial things.If an artist creates paintings in this angle,he is able to find out a supporting point,through which he will naturally form his own artistic genre.It may be said that genre lies in the probe and grasp of artistic language.
出处
《西北大学学报(哲学社会科学版)》
CSSCI
北大核心
2007年第6期I0005-I0008,共4页
Journal of Northwest University:Philosophy and Social Sciences Edition
关键词
风格
内在联系
影响和意义
style
inner link
influence
significance