摘要
"非人"是现代艺术批评中的一个重要概念,加塞特和利奥塔的理论可以代表两个不同时代的看法。"非人"的出现是分裂和异化时代的必然现象,现代艺术中的"非人"是那些努力用儿童的"天真之眼"、"野蛮人"的原始视角和动物的感觉来观照世界的"新人"。"非人"是人之镜,"非人"的产生根源于人对自身的无限性的省思,"非人"的问题就是人的问题。
'Nonhuman' is an important concept of criticism on modern art.The viewpoints of Cassart and Lyotard represent two different ages.'Nonhuman' is an attribute of the era of division and alienation.'The nonhuman person' is actually 'the newcomer' who wants to continue to look at the world with the 'innocent eye' like children,with the primitive perspective like 'barbarians' and with the cognition like animals.'Nonhuman' is the mirror of human. The question of 'nonhuman' originates from human when he meditates himself on all his possibility and infinity.
出处
《东南大学学报(哲学社会科学版)》
CSSCI
2007年第6期85-90,共6页
Journal of Southeast University(Philosophy and Social Science)