摘要
伊瑟尔接受理论重视作品的阅读和阐释,强调读者对作品的反应以及对意义的重新建构。他的批评理论摆脱了结构主义的客观化模式的制约,有着一定的人文阐释因素,又在弘扬读者作用的同时兼顾语境的作用。他所倡导的"文本与读者的相会"理念体现了"作者中心"向"读者中心"的转向。其接受美学集中研究读者在阅读过程中的接受和反应,强调读者在文学欣赏中的地位和作用。
Iser's reception theory stresses readers' understanding and interpretation of the literary work,accordingly laying its emphasis on readers' responses and their reconstruction of the works' meaning. His theory, by casting off the yoke of structuralism's objective critic mode, entails certain humanist elements in interpretation and gives consideration to both the context and readers' involvement. The concept, interaction between texts and readers, which he promotes, indicates an obvious shift from the author - centered criticism to the reader - centered criticism. Iser's reception aesthetics aims at a systematic study of readers' receptions and responses in the process of reading,thus attaching much importance to the readers' role in literary appreciation.
出处
《长春师范学院学报》
2007年第6期119-123,共5页
Journal of Changchun Teachers Coliege
基金
中国矿业大学基金资助(OW06019)
关键词
伊瑟尔
接受美学
隐含读者
Iser
reception aesthetics
the implied reader