摘要
近代上海小报以其嬉笑怒骂的游戏文章对晚清以来的社会政治进行多方面的批判,这种边缘式的批判模式一方面满足了市民的文化消遣的需求,同时,这一文化公共空间的建构也表达了对于政治权威和社会主流文化的反抗和解构。
The modern Shanghai tabloid based its special humorous and cynical style by playing many aspects of criticism about society and the goverment since later Qing Dynasty. The marginalized criticism pattern by using a funny entertaining style meets the reading taste of the citizens on one side, and on the othe side, the establishment of the cultural space reflects the rebellion of the civic culture against the political authority and mainstream culture.
出处
《韶关学院学报》
2007年第11期68-71,共4页
Journal of Shaoguan University
基金
上海师范大学重点学科研究成果。(项目编号T0403)