创意与阐释:从谢赫到张彦远——“六法”接受史透视

Originality and Interpretation: From Xie He to Zhang Yanyuan——A Clairvoyance on the History of Accepting"Six Approaches"

“六法”一向被视为中国绘画的根本法则,它的出现,标志着中国画学的自觉。“六法”在不同时代被赋予不同解释,不同的解释又影响着当时的、以后的艺术,而在不同的解释中,又同时保留着相同的格局。在继承中创造,在创造中继承,形成“六法”接受史的特征,形成中国画论史的走向。从谢赫到张彦远,是“六法”接受史的第一次创造性阐释,它促进了中国画由人物向山水、由重渲染向重用笔的转换。

＂Six Approaches＂, which symbolize the self - consciousness of Chinese painting, are regarded as the basic principles of the art of Chinese painting. Although the patterns of ＂Six Approaches＂ remain the same, there are different interpretations in different eras, which influence the art of paintings thereafter. The history of accepting ＂ Six Approaches＂ shapes the development of Chinese painting, characterized by creating from inheriting and vice versa. The periods from Xie He to Zhang Yanyuan witnessed the first creative interpretations of ＂ Six Approaches＂. Their creative interpretations greatly promote the transformation of arts of Chinese painting, namely, from human beings to landscapes, and from application to art.