试论两宋院体写实性画风与书法的游离关系

Free relationship between the realistic style of painting of imperial-count democrative painting and calligraphy in the Two Song Dynasties

驻足两宋文人画初创和院体绘画已臻高峰的特殊历史境域,着眼于院体写实性画风同书法的游离关系,蠡测这一特定时代书法与绘画在文化构成上的微妙性。同时在同文人绘画的比较中,更深刻地认识院体写实性绘画在中国绘画史上的精神主旨及得失。

The special historical back ground of this thesis is that the litersti painting has been newly established and the imperial-court democrative painting mature. This thesis aims at the free relationship between the realistic painting style and calligraphy. The purpose of this thesis is to clarify the subtle relations between calligraphy and painting in cultural construction in this spiritual substance and where the gain and loss is of the imperial-count realistic painting can be known more clearly compared with the literati painting.