“无迹而神”的审美研究——“无迹而神”与佛教思想的契合

Buddhism Ideology and the Spirit of"Beauty in No Trace"in Poetics

作为中国古代美学形神论中一个重要的审美命题,"无迹而神"的诗学形神观是中国本土文化固有的"形"、"神"概念与佛教文化交糅、融合的结果。佛教"形神"观、"空"观的渗入以及佛教的中国化一禅宗的"顿悟"思维是助其形成与发展的异质文化因子。

As one of the most important aesthetic propositions in ancient Chinese Appearance-Verve Theory, the poetic spirit of ＂Beauty in No Trace＂ is an appearance-verve idea resulted from the combination of the Appearance Verve concept in native Chinese culture with Buddhism culture. There are some idiosyncratic factors helping its development and shape, such as the leakage of Appearance-Verve Theory and Emptiness Theory inBuddhism, and the shape of Chinese featured Buddhism ＂Satori＂ in Zen.