摘要
刘辰翁是宋末元初辛派遗民词人的代表。在他的咏物词中,可以考订为暮年创作的有10首。这些词代表着辛派遗民咏物词的总体风格,继承了宋词咏物传统审美标准的形神兼备和寄情遥深,但与同时代紧紧追随传统的其他遗民咏物词相比,这些词在寄情方式上打破了对物的依附,入情而忘物,更多地直接抒发悲情;意境关系上并不追求浑化天然,而是大量运用正面抒情、直接议论和借物造境,词作风格情调激楚苍凉、真切明朗。
Liu Chenweng was an representative of writers who came through the nation's perdition,the sequela of Xin Qiji.h is certain that there are 10 lyrics intoned object in his works suggest the mood related with the nation's perdition.Succeeded to the appreciated standard of conventional object-intoned lyrics: Going in for both form and spirit;sending writers' ample feeling in the object,these lyrics could be regarded as the representative of object-intoned lyrics of Xin genre.These style of other contemporaneous writer.He expressed his cantv arias. lyrics appeared different style of inditing to the implied feeling more directly,used more straight argumentums, and canty arias.
出处
《南阳师范学院学报》
CAS
2007年第7期37-40,共4页
Journal of Nanyang Normal University
关键词
刘辰翁
咏物词
遗民词人
Liu Chenweng
lyrics which intoned objects
writers who come through the nation's perdition