摘要
《兄弟》暗示了余华小说艺术发生的新变。其《兄弟》之前的作品多是寓言性的,《兄弟》逐步走向了"写真",作品因而消解了隐喻性和荒诞性色彩;人物也不再是小说叙事结构中的符号和工具,而是具备了性格特征且具有个性魅力的形象;小说的主题内容也从"闹剧"走了出来,而成为描绘人物命运、揭示历史真相的正剧,其中也透露出作家的情感和价值立场。
Brothers hints that the art of Yu hua's fiction to the new changes. His Brothers priors to the works of the fable, and it gradually moves toward the "real me", so the work removes metaphor and absurdities.Figures are no longer fiction ,narrative structure of symbols and tools.But it has the character traits and the personally charm.Novels of the subjects walks "Farce"to paint figures fate,reveal the truth of history and the emotional and value position.
出处
《南阳师范学院学报》
CAS
2007年第8期47-49,共3页
Journal of Nanyang Normal University