浅析赵孟頫“古意”说

An Analysis of the ＂Classical Taste＂ View by ZHAO Meng-fu, a Great Painter in Yuan Dynasty of China

中国传统绘画的发展史，由“画工画”向“文人画”演变是一个重要的过程。文人画主导地位的形成，源于元代画坛中心人物赵孟頫的审美理论“古意”说，“古意”是赵孟頫绘画理论的中心思想，也是元明清文人画的主要指导思想，它既维护了文人画的人格趣味，又摈弃了文人画的游戏态度，创建文人特有的表现形式，使之无愧于正规画的功力格法，从而确立了文人画在画坛上成为正规画的地位。

In the developmental history of Chinese traditional painting, the process of evolvement from ＂painter painting＂ to ＂bookman painting＂ is an important one. The formation of bookman painting＇s dominant position originated from ZHAO Meng-fu＇s beauty appreciation theory ＂Classical taste＂ view （Zhou Meng- fu, a central person in the painting world in Yuan Dynasty）. ＂Classical taste＂ was the focal ideology of ZHAO Meng-fu＇s painting theory and also the main guiding ideology of bookman painting in Yuan, Ming, and Qing Dynasties. ＂Classical Taste＂ not only maintained the personality spirit of bookman painting but also abandoned the recreational attitude of bookman painting. ZHAO Meng-fu created a certain style of exhibiting form that stood for the special personality of man of letters, made this style worthy of the features of normal paintings, and finally established the position of bookman painting as one of the normal paintings.