论《淮南子》的美学新蕴涵及其成因

The New Aesthetic Implications of Huai Nan Zi and Their Origins

《淮南子》美学新蕴涵体现在:在"道事合一"哲学思考中将美学问题现实化和政治化,对儒道两家美学思想进行了扬弃;自在自觉的空间意识带来三重审美意蕴。因而以宏阔的视角、辩证的眼光观照美的一切,既看重美的审美性,又看重美的功利性和现实性,就成为《淮南子》美学新蕴涵的主导内容。哲学观的新变和审美需要的新变是《淮南子》美学新蕴涵生成的两个主要缘由。

The new aesthetic implications of the ancient Chinese book Huai Nan Zi lie in its realization and politicalization of aesthetic issues in the philosophical thought of law-reality unity and in the sublate of the aesthetic thoughts of Confucianism and Taoism. The self-consciousness of space brings three aesthetic implications. The new aesthetic implications of the book are characterized by its observation of all the aspects of beauty with broad perspective and dialectical insight and by its emphases on the aesthetics, utility and reality of beauty. The new changes in philosophical view and aesthetical need are the two origins of the new aesthetic implications of the book.