论易学与古代乐律学的文化解释功能群叠加

On the Overlaping of Function Groups between Theories on Yi-Jing and Chinese Ancient Studies of Tonality

中国古代乐律学的理论体系与架构,是在整个思想文化大背景的笼罩、影响下发展的。其中,通过阴阳五行、天文历数、地域方位等自然哲学的观念及其相应的值配模式,使《易》学象数模式的象征体系与乐律学的理论体系与架构形成了通融互摄的阐释发挥的关系网络,这一形态,对古代乐律学有着极大的影响。本文对《易》学与古代乐律学的文化解释功能群叠加的问题展开论述,以探明古代乐律学的重要文化特征。

The theory system and practice frame of Chinese ancient studies of tonality developed under the influence of the entire cultural background. Among them, Yin Yang-Five elements theory, Astronomycalendar, Region and Bearing, etc., these concept patterns of nature philosophy, were collocated and related with the musical temperaments through the symbol system of Yi-Jing＇s Resemble-and-Number mode. And this kind of collocations had produced extremely large effect on Chinese ancient studies of tonality. This paper discusses the overlaping of function groups between theories on Yi-Jing and Chinese ancient studies of tonality, in order to ascertain the cultural features of the latter one.