摘要
1921年赵元任译英国幻想小说《阿丽思漫游奇境记》,不仅成为中文译作经典闻名于世,在新文学运动及中国现代文学史上也具有独特意义。这主要体现在三个方面:一是在新文学白话文运动大潮中赵元任的个人介入及其与胡适的互动;二是作为自觉的语言实验的产物,赵译的诞生过程和取得的成效;三是赵译对于中国现代文学(尤其是儿童文学)创作所产生的影响,以及前者所提倡的文学趣味在后者的本土演绎中发生的变异。
Lewis Carrolls Alices Adventures in Wonderland was translated into Chinese first by ZHAO Yuan-ren and got published in 1921. As an advocator of the Movement of New Literature, ZHAO chose to translate the famous fantastic novel in vernacular Chinese, which was virtually a linguistic experiment for the New Literature. He fulfilled the seemingly impossible task and his version has been most popular till now. While the taste of Nonsense Literature which Zhao favored in Alices Adventures in Wonderland, was ignored or varied in its two Chiniese imitators:SHEN Congwen's Alices Adventures in China in 1928 and Chen Bochui's Ms. Alice in 1931.
出处
《清华大学学报（哲学社会科学版）》
CSSCI
北大核心
2007年第6期101-109,共9页
Journal of Tsinghua University(Philosophy and Social Sciences)
