道家竞技体操美育观之研究——竞技体操理想人格的建构

Study on Taoist Gymnastics Aesthetic Concept ——Construction of Gymnastics Ideal Personality

作为道家的代表,庄子发展了老子的思想,建构了一种区别于传统的礼乐教化和儒家学说的独特的美育观。竞技体操本身就是技术与艺术的融合,庄子美育观首先通过礼乐批判体现出来,并集中地表现在以"道"为原则的理想人格和以"虚静"为核心的人生修养论方面,对理想人格的艺术创造性也有深刻揭示。因此,道家竞技体操之美育观的研究就显得势在必然。这种美育观与庄子追求精神解放和心灵自由的整体思想完全一致,与儒家美育观既对立又相互补充,构成了中国古代美育思想的重要组成部分。同时探讨竞技体操美育观,也为竞技体操美学的发展起到重要的理论参考作用。

Taoism as a representative, Zhuangzi developed the idea construction of a distinguished from the traditional music indoctrination and Confucian doctrine of unique aesthetic concept. Gymnastics itself is the art and technology integration, Zhuangzi aesthetic concept first through music criticism reflected, surface now and focus on ＂Road＂ to the principle of the ideal personality, and ＂Silence＂ at the core of life on the cultivation, ideal personality to the art of creativity also profoundly reveals. Therefore,Taoism gymnastics Aesthetic concept of it appears to soar high. This aesthetic concept and Zhuangzi pursuit of the spirit of liberation and spiritual freedom of the overall thinking is exactly the same, and the Confucian concept of aesthetic confrontation is not only complement each other, but also the Chinese aesthetic thinking of the important components. Exploring the aesthetic concept of competitive gymnastics, gymnastics for the development of aesthetics play an important role in the theory of reference.