中西比较视域下的鲁迅死亡意识

LU XUN'S "CONSCIOUSNESS OF DEATH" UNDER A COMPARISON BETWEEN CHINA AND THE WEST

鲁迅的死亡意识既不同于西方现代的死亡意识,又迥异于传统文化中的死亡意识,具有强烈的现代个性色彩。他将死亡与新生、自我与历史、民族、传统紧密地统一在一个充满悖论的个体之内,并且上升到生存本体意义,因而具有宽广的视野和深邃的内蕴。

Lu Xun＇s ＂consciousness of death＂ has a modernistic individuality which belongs to Lu Xun himself alone and differs from the western modern death consciousness or Chinese conventional death consciousness. It brings death into the essential existence of life, and changes Confucian dualistic antagonism and Taoist unitary theory into the dualistic combination theory. This dualism is paradoxical in appearance, but coincident in essence, which approaches life by facing death and then enters the essential existence of life. He unites death and new life, self and history/nation/convention tightly into an individual full of paradox, and has uncontrolled individuality and national consciousness at the same time, so it has a broad view and profound meaning.