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持守与超越——论《受活》的叙事策略

Adhering and Surpassing——On Narrating Strategy of the Novel Having Fun
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摘要 《受活》之所以获得较高赞誉,主要得益于叙事策略上基于现实主义又力图超越现实主义的大胆探索,具体体现为关注苦难生命存在的叙事向度的持守,"超越主义的现实主义"叙事姿态的运用,以及充满荒诞魔幻、新奇想象的叙事智慧。 The novel Having Fun made far-reaching effects and got highly prized in literary circles soon after it was published. Having Fun is no longer a literary piece written by Yanlianke in a traditionally realistic style. This achievement mainly resulted from his bold explorations. As to narrating strategy, he tried to surpass realism while adhering to it. tie kept describing the present miserable life in a way that is not only transcendentally realistic, but also absurd and fantastic.
作者 韦永恒
出处 《中南民族大学学报(人文社会科学版)》 CSSCI 北大核心 2007年第6期165-168,共4页 Journal of South-Central Minzu University (Humanities and Social Sciences)
关键词 《受活》 叙事策略 超越主义的现实主义 荒诞魔幻 Having Fun narrating strategy transcendental realism absurdness and fantasy
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参考文献6

  • 1咸江南.我的自由之梦在《受活》里[N].中华读书报,2004-02-11.
  • 2李陀,阎连科.《受活》 超现实写作的新尝试[J].读书,2004(3):44-54. 被引量:58
  • 3李洱.阎连科的力量[N].新京报,2004-01-06.
  • 4阎连科.受活[M].沈阳:春风文艺出版社,2004..
  • 5阎连科.真实来自作家的内心——关于阎连科长篇小说《受活》的对话[N].中华工商时报,2003—12—18.
  • 6阎连科,梁鸿.巫婆的红筷子[M].沈阳:春风文艺出版社,2002.

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