新视角解读王维画风及文人画话语权

Analysis of Wang Wei's Painting Style and Scholar Paintings' Cultural Hegemony from New Angle

王维伪画论、伪石刻的形成于宋、正式入史于明。王维所在盛唐时期,水墨山水画尚未定型,其画风的真实面貌应不出色彩画的范畴。而千余年来,人们对王维画风的误读,反映出文人画话语权力抬升直至神化的轨迹。

The counterfeits of Wang Wei＇ s treatises about painting and brushworks engraved on stones emerged in Song Dynasty and were recorded into history formally in Ming Dynasty. The water and ink landscape paintings still hadn＇ t been shaped in the floruit of Tang Dynasty when Wang Wei was in life, and the true feature of Wang Wei＇ s painting should belong to color paintings, It is the misunderstanding of Wang Wei＇ s painting style over thousands years that reflects the track on which the cultural hegemony of Chinese scholar paintings was promoted and apotheosized.