一蓑烟雨任平生——论苏轼作品的生命美学意识

The Consciousness of Life Aesthetics on Su Shi's Works

满意也好,失落也罢,在愿与不愿中都将写成晴的天、泪的眼;但只要拥有一颗感悟生命的心,便会有一花一世界、一叶一佛陀的圣影。尘世人生,在苏东坡浩浩瀚瀚、坦坦荡荡的心中,便再容纳不下现实的窘迫,也容纳不下未来的空淡。在宦海沉浮中的贬逐生涯彰显的则是苏东坡自身精神生命的升华。生存过后,不免要提及死亡,沉重感也由此而来,然而,沉重的却并非是死亡,而恰恰是生存本身。将一生的贬谪看成是最大的功绩,将五十九年的放逐指向"生不契家,死不扶柩",这便是不计此身何处还的"东坡家风"。

Satisfaction or lose shall be write as the clear sky, tearing eyes.You can see a wonderful landscape in one flower and a sacred image of Buddha in one leaf. We can say, the essence existence sublimation of Su Dongpo himself was caused by living in the official circles ups and downs. Dying will be talked about later cannot avoid, following the critical feeling. However the critical really not is dying, but exactly is existing in itself. The year of 59 exiling was reganled as the largest merits and achievements by himself. No matter what others did, no matter what the world looked like, no matter where he lived, no matter wlierc his body was taken back. There always were the hope of living though all his life. That is the llfe style of Dongpo.