摘要
新感觉派作家借助以物化修辞和妖魔化倾向为特征的"尤物叙事",拟想出一批具有现代品质的女性形象,通过这些女性形象构筑了充满悖论的两性关系,她们既是作者笔下被物化、魔化的对象,又对文本中的男性构成支配性力量。形成这种悖论关系的深层原因来自"尤物叙事"中"女性-城市"潜在的互为隐喻。其中不但体现了叙述人的性别身分,更体现出特定历史环境中作家对都市现代化的复杂心态。
The Neesensulism writers employ materialization and "narration for femme fatale" characterized by the inclination of monsterization to fabricate a group of women with modem qualities, with whose images a intersexual relationship that is fun of paradox. They are materialized and monsterized while dominating over the male figures in the text. The reason of the formation of these paradoxes lies deep in the potential, mutual metaphorical relation of "the female - the metropolis" in "narration for female fatale". Not only the gender identity of the narrator, but also the complex state of mind of writers in specific historical surroundings, are given the prominenee.
出处
《湘潭大学学报(哲学社会科学版)》
北大核心
2007年第6期103-107,119,共6页
Journal of Xiangtan University:Philosophy And Social Sciences
关键词
新感觉派
尤物叙事
女性
都市
德喻
neosensulism
“narration for femme fatale”
the female
metropolis
Metaphor