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论多元化语境下中国绘画的传承与变革 被引量:1

The Actuality and Development of Chinese Traditional Paintings in Pluralistic Context
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摘要 文章重点阐述了在这新旧时代转型期,中国绘画由"天人合一"的中国传统审美精神向深研传统、心系生活、广济修养和容纳中西等多方位相互依存的绘画特征过渡,并对当今的中国绘画如何构建一个现代性的艺术平台和坚持正确健康的发展方向进行探讨。 This paper is intended to expatiate the transition from Chinese traditional aesthetic spirit of syncretism of nature and humans to characters of paintings which depend on each other for existence in several orientations such as deep research of tradition,heart relating to life,broad relation to self-restraint and acceptance of Chinese and the West during the stage while characters in both new and old eras transit.This may thus construct a modernistic art platform and a positive healthy developing trend for Chinese paintings of the time.
出处 《郑州航空工业管理学院学报(社会科学版)》 2007年第5期204-206,共3页 Journal of Zhengzhou University of Aeronautics(Social Science Edition)
关键词 中国绘画 传统审美 多元化语境 Chinese paintings traditional aesthetic spirit the pluralistic context
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参考文献2

  • 1[2]孙美兰.艺术概论[M].郑州:河南美术出版社,1993.
  • 2俞建华.中国古代画论类编[M].北京:人民美术出版社,2000.

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