魂灵的超越与还原——《倩女离魂》与《牡丹亭》解读

Surpassing and Restoring the Significance of the Ghosts in the Literary Works

《倩女离魂》和《牡丹亭》分属于元明时期两部戏剧名作,也是两部以"离魂"为主要情节的作品,通过观照两者在人物塑造和主旨思想方面的异同,便于我们深刻理解作品的审美价值及作家的审美理想,进一步把握文学尤其是戏剧作品发展的内在规律。

Ghost of a Pretty Girl and The Peony Pavilion are two famous drama works belonging to Yuan and Ming Dynasties respectively, both of which describe the main plots of spirits breaking away from the bodies. From the differences of character molding and main idea expressing between them, we can deeply understand the aesthetic value of the works and the aesthetic ideals of the authors, and further master the internal laws of the literary, esp. drama works.