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美国黑人女性主义文学的空谷足音——浅析《他们眼望着上苍》对黑人女性写作模式的建构

Classic Writing Mode of American Blacks: A Review of Their Eyes Were Watching God
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摘要 佐拉·尼尔·赫斯顿的代表作《他们眼望着上苍》是美国黑人文学史上最早描写黑人女子女性意识觉醒的作品之一。这部作品对本民族民俗文化的理解与运用,对黑人女性心理的把握和描写,对种族问题的"大同"观念以及对性别歧视的非洲式化解方式无一不暗合艾丽斯·沃克对"妇女主义"的论述,建构出黑人女性写作的经典模式。 Their Eyes Were Watching God, the masterpiece of the black authoress Zora Neale Hurston, is one of the earliest novels focusing on black women's self-consciousness in the Afro-American literary history, Hurston accepted not only the difference of her cultural heritage but also its validity. In her writing lies her strong sense of a culturally-grounded self and racial identity, which agrees with Alice Walker's definition of feminism. Her writing is considered as the classic mode for black woman writing.
作者 杜业艳
出处 《江苏海洋大学学报(人文社会科学版)》 2007年第4期48-50,共3页 Journal of Jiangsu Ocean University(Humanities & Social Sciences Edition)
基金 江苏省教育厅哲学社会科学基金项目(04SJD750001)
关键词 佐拉·尼尔·赫斯顿 《他们眼望着上苍》 妇女主义 写作模式 Zora Neale Hurston Their Eyes Were Watching God womanism~ writing mode
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  • 1Bernard W. Bell, The Afro - American Novel and Its Tradition, Amherst: The University of Massachusetts Press, 1987, D. 273.
  • 2Alice Walker, "Zora Neale Hurston: A Cautionary Tale and a Partisan View," in Lillie P.Howard, ed., Alice Walker and Zora Neale Hurston: The Common Bond, Connecticut:Greenwood Press, 1993, p. 13.
  • 3Bell Hooks, Feminist Theory: From Margin to Center, Boston: South End Press, 1989, p. 14,p.11.
  • 4Zora Neale Hurston, Their Eyes Were Watching God, New York: HarperPerennial, 1998.
  • 5Paul Lauter, ed., The Heath Anthology of American Literature, New York: Houghton Mifflin, 1998, p.947.
  • 6Henry Louis Gates, Jr. "Series Foreword" in Karla F. C. Holloway, ed. , The Character of the Word: The Texts of Zora Neale Hurston,New York: Greenwood Press, 1987, p. xi.
  • 7Alice Walker, The Color Purple, New York: Pocket Books, 1990.
  • 8James P. Draper, ed. , Black Literature Criticism, Detroit: Gale Research Inc., 1992, p.1073.
  • 9Susan Edwards Meisenhelder, Hitting A Straight Lick with a Crooked Stick : Race and Gender inthe Work of Z. N. Hurston , Tuscaloosa, Alabama: University of Alabama Press, 1999, p. 9.

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