摘要
小说批评中隐含了小说美学观念的变化。内蒙古小说批评在三个阶段体现出不同的美学倾向:1950年代直至1980年代初期,受到生活美学与政治美学的双重制约,以现实主义理论为评价标准,强调真实性与倾向性;1985年起开始对小说审美特性的深入探讨,主要涉及结构形式、景物描写、心理描写等方面;至1990年代后期,开始出现了文化批评与新历史主义批评。
Novel - criticism implies the variations of novel - aesthetic ideas. Inner Mongolia novel - criticism has three different stages, each of which reflects different inclination From 1950s to 1980s, influenced by both life aesthetics and political aesthetics, the realistic theory, which emphasized the authenticity and inclination, had been regarded as the judge standards. After 1985, novel- aesthetics has gone even further. It mainly involved structure disposal, scenery description, psychological description etc. Till the middle of 1990s, novel- culture criticism and new- historical criticism have come to appear.
出处
《内蒙古大学学报(哲学社会科学版)》
CSSCI
北大核心
2007年第6期72-77,共6页
Journal of Inner Mongolia University(Philosophy and Social Sciences)
基金
内蒙古自治区社科规划办项目(项目批准号0550)
关键词
内蒙古
小说批评
美学观念
演变
Inner Mongolia
novel - criticism
aesthetics Ideas
evolvement