诗意与感伤——奇书美学在90年代长篇小说中的再现

Poetry and Tragedy——The Reappearance about Aesthetics of the Five Masterworks in the Nineties Novels

诗文融合是中国长篇小说最初形成时的一大特色,诗意和感伤是奇书和90年代长篇小说共同追求的美学意蕴,但它不是一种模式化的诗意,而是气势磅礴的诗意、"碟儿碗儿"的诗意和精神上的诗意。中国人以个体生命为本位的世界观,又加之时间的永恒和生命的短暂构成明显对比,这样在奇书和90年代长篇小说中就形成了一种悲剧美学理念。

It is a great characteristic when Chinese novels are formed that the poetry and novels are merged. Poetry and tragedy are pursued by traditional novels and contemporary literature, but poetry is not patterned, containing epic poetry, poetry of ＂disc and bowl＂ and spiritual poetry. The aesthetic idea of the tragedy comes from the Chinese world outlook which they often take individual life as standard mainly, especially contrasting with the eternal time and transient life.