“凭情”与“负气”的悖结与和解——论刘勰文学创作论的“通变”观

The Paradox and Reconciliation of "Ping Qing" and "Fu Qi"——On Liu Xie's Concept of "Tong Bian" of Literature Writing

刘勰文学创作论的"通变"观与他的文学发展论的"通变"观密切相关,又不尽相同。由"凭情以会通,负气以适变"熔铸而成的辩证和解的"通变"观,显示了刘勰对文学创作必然涉及的客观与主观、理智与情感、"他律"与"自律"等矛盾悖结而又统一和解的辩证关系的体认。重新考量这个命题,不仅具有理论意义,也具有现实实践的启发意义。

Liu Xie＇ s concept of ＂Tong Bian＂ of literature writing is closely related to his concept of literature development, but not the same. The dialectical concept of ＂Tong Bian＂ shows Liu Xie＇s paradox and recognization of subjective and objective, senses and sensibilities, ＂discipline＂ and ＂self- disci- pline＂ on literature writing. Rethinking this proposition has not only theoretical value, but also an inspiration to practice.