摘要
苗族服饰不单纯表现为某个民族专有的艺术形态,它的艺术创新过程,是由许许多多分散存在的民族在文化交流过程中经过接触、混杂、分裂、融合,按照人类造物的需要,通过群体审美观念的规范,逐渐形成了自己鲜明的民族个性。苗族服饰作为民族文化的有形载体,反映出强烈的民族自我认同意识,凸显了坚忍不拔、自强不息的民族主义精神,蕴藏着深层的民族文化内涵。
The dress of the Miao people is not only to show the artistic form unique to a certain nationality. Its process of artistic innovation has experienced contiguity, intermixture, division, and fusion of many scattered nationalities and has gradually formed its own features according to its needs by a group aesthetic concept. As a carrier of national culture, it reflects a strong sense of national identity and national spirit and thus contains a deep connotation of national culture.
出处
《吉首大学学报(社会科学版)》
2007年第2期97-100,共4页
Journal of Jishou University(Social Sciences)
基金
全国艺术科学"十五"规划项目<湘鄂渝黔少数民族艺术研究>(批准号:05BA009)成果之一
关键词
苗族服饰
文化
交融
精神
dress of the Miao people
culture
fusion
spirit