摘要
德里达在对马克思主义沉默多年后,于1993年公开谈论马克思主义,并于1994年出版了《马克思的幽灵们》,但这是一种解构版本的马克思主义,旨在激活马克思主义批判和变革世界的精神,将马克思主义从极权主义、教条主义的阐释中解脱出来,变成一种不断革命论和未来学。他将这种精神的特征阐释为"徘徊的幽灵"。对此,他是借用《哈姆莱特》中鬼魂和与鬼魂打交道的几个人物的意象来展开其论述的,通过对莎士比亚的作品与马克思的几部经典著作的交错解读,阐述了对马克思的精神、对欧洲知识分子的责任、对当下时代、特别是对马克思关于"变革时代"的指令的独到思索,回答了全球化语境中"马克思主义何处去"和"马克思主义衰亡了吗"的问题。
Jacques Derrida's Specters of Marx: the State of the Debt, the Work of Mourning, and the New International published in 1994 is his deconstructive version of Marxism by which he seeks to preserve the critical dimension of Marxism in resistance to dogmatic Marxism and also to the prediction for the end of Marxism. Through his ingenious cross reading between Shakespeare's and Marx's works he produces insightful reflections on the spirit of Marx, the responsibility of European intellectuals and especially the nature, the validity and the urgency of Marx's injunction to change the world in an age of capitalist globalization.
出处
《外国文学》
CSSCI
北大核心
2007年第5期91-99,共9页
Foreign Literature
