赣剧两路高腔曲牌和腔调关系的研究

Research on Relation between Tunes Name and Tune of Two Gaoqiang Tunes of Jiangxi Opera

曲牌和腔调的关系指的是曲牌中腔调的使用情况,它也是了解曲牌体戏曲剧种音乐构成的一个重要方面。在我国的曲牌体戏曲声腔中,高腔和昆腔最为典型。其中高腔由于它在发展过程中曲牌在文词和腔调上都较宋元南北曲发生了很大变异,因此导致它在曲牌中腔调的使用上形成"曲、腔"交错的局面,并且其交错程度在全国各地又呈现出不同的面貌。弄清各高腔剧种曲牌中腔调的使用情况,有助于了解高腔剧种曲牌音乐的构成状况。本文选择赣剧高腔为研究对象,试图通过对赣剧高腔曲牌中腔调使用情况的分析,说明赣剧高腔曲牌和腔调的关系,并进而归纳出赣剧高腔在"曲、腔"关系上与全国其他几路主要高腔剧种不同的特点。

The relation between tunes name and tune refers to the application of systematic tune under a tune name. It is important for the research of music composing in dramas with tunes name. Taking gaoqiang tune of Jiangxi opera as research object, the paper expounds the relation between tunes name and tune of gaoqiang tune of Jiangxi opera by an analysis of the application of tunes name and tune. Moreover, it puts forward the difference of gaoqiang tune of Jiangxi opera and other gaoqiang tunes considering the relation between tunes name and tune.