贝多芬晚期钢琴奏鸣曲作品111的结构思维

On Structural Thinking of Beethoven Piano Sonata Op. 111

贝多芬钢琴奏鸣曲作品111是其晚期独树一帜的作品,作品在宏观结构上只选用两乐章的形式,在微观上运用各种富有寓意性的"动机",在扩展结构上采用大量的变音和弦,但音响效果却是"平滑"的。这些既有传统基础又标新出奇的结构发展手法,使得这部钢琴奏鸣曲沉寂多年但终被人认可,成为钢琴文献中不可或缺的作品,它对后来音乐结构思维模式的发展具有重要的影响。本文在对此曲进行结构思维研究的基础上,还对其演奏进行了分析。

Beethoven piano sonata op. 111 form in macro-structure, various motives with is unique among his late works. It applies two-movement meaning and large scale of altered chord in extending structure with a smooth acoustics effect. Thanks to the structural ways that are new and original on the traditional basis, the work is extensively accepted and has profound influence on the development of musical structural thinking. The paper analyzes the performance of the work on the basis of a study on the structural thinking.