肖邦《24首前奏曲》op.28的共性与联系

General Character and Relation of Chopin's Twenty-four Preludes Op.28

本文研究的对象是肖邦《24首前奏曲》op.28。从音乐本体分析入手,主要针对音乐的组织结构、布局安排作详细的分析。分析过程是首先将24首前奏曲浓缩到最小单位的核心组织细胞结构,再从这个核心组织细胞结构扩展出去,最后构架成完整的前奏曲。对每一首前奏曲分析得出其音乐形象的发展轨迹,音乐的核心组织细胞结构对于音乐架构的作用,音乐的织体结构以及特性,还有音乐的和声与调性布局,并针对这种共性、联系作总结归纳性分析以及陈述。最终所得出肖邦《24首前奏曲》op.28的共性、联系以及演奏的实现。

Taking music as the starting point, the paper analyzes the structure and composition of Chopin＇ s twenty-four preludes op. 28. It concentrates the twenty-four preludes as a core cell, extends it, and composes a complete prelude. The paper concludes the developing trend of each prelude, the function of musical core cell, structure and characteristic of music complex and harmony and modes. It elaborates the general character, relation and performance of Chopin＇s twenty-four preludes op. 28.