摘要
清朝中期以来展开的碑帖论战,致使书界出现"两极现象":两派自立门户,互相攻击。而晚清学者何绍基却能够对两者进行扬弃式的继承和辩证式的吸收,并大胆地运用于其书法实践之中,着实成为自清以来真正走向碑帖结合道路的第一人。本文结合何绍基的书法作品的艺术价值和相关史料来探讨何绍基的书法实践,并就其书法实践引发出对当代书画界的若干启示。
The tablet inscription school and rubbing school of calligraphy circle isolate themselves due to the debate between the two schools since the middle Qing dynasty, He Shaoji, one of the eminent scholars in the late Qing dynasty, developed useful skills of both schools and discard the useless in his calligraphic practice, He first combine the tablet inscription with rubbing. The paper probes into He Shaoji' scalligraphic practice on the basis of artistic value of He' s calligraphy as well as relative historic materials, and concludes the inspiration to contemporary from his calligraphic practice.
出处
《浙江艺术职业学院学报》
2007年第4期83-87,共5页
Journal of Zhejiang Vocational Academy of Art
关键词
何绍基
碑帖结合
儒道互补
He Shaoji
combination of tablet inscription and rubbing
complemenlarity between Confucianism and Taoism