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毛泽东诗词书法艺术探微

A Small Approach to the Calligraphy Art of Mao Zedong's Poetry
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摘要 毛泽东诗词书法作品的行书清秀自然,生动流畅;行草的用笔、布局、气韵等造诣极深;小草笔势飞动,但字字独立;大草字与字多由牵丝连属,笔势洒脱不羁;章法结构气韵生动,整体布局雄浑豪放,是举世公认的中国现当代书坛独树一帜的艺术精品。 The running hand in Mao Zedong's poetry and his works of handwriting, are beautiful, natural and vivid. The running - cursive hand has great attainments in style, composition, tone and so on. The little- cursive hand has the flying style of brushwork but every character is separate. The characters in the cursive hand are rounded and joined together with small strokes and the flying style is more obvious. The composition is lively and the whole pattern is powerful and free. Mao's works are the world famous and the most outstanding in China's modern caUigraphers'cirele.
作者 徐四海
出处 《盐城工学院学报(社会科学版)》 2007年第4期30-34,共5页 Journal of Yancheng Institute of Technology(Social Science Edition)
关键词 毛泽东诗词 书法 书体 章法 艺术 Mao Zedong's poetry calligraphy style of calligraphy composition art
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参考文献1

  • 1[3]季世昌,费枝美.谈毛泽东诗词手书研究:流韵壮东风[M].长春:吉林人民出版社,2001:345-365.

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