摘要
蒲松龄在其短篇小说集《聊斋志异》中集中体现的妇女观,并不像通常人们所认定的那样积极和进步,而是呈现一种混杂、错综、盘旋缠绕的形态。与时人相比,蒲氏小说中不乏同情妇女、张扬人性的层面,但与此同时,传统女祸论的影响、女性身份的隐性缺席以及以两情相悦为表象的男性立场的婚恋观也时有表现。蒲松龄错杂交缠的妇女观可以视为性别观念进化的漫漫长途上一次意义重大的停靠和中转。
Pu Songling's views towards women in Strange Tales from Make-Do Studio are not as positive and progressive as people usually think, but intemaingled, intricate and crisscross. Compared with his contemporaries, Pu Songling showed much sympathy to women, but meanwhile he failed to get rid of the influence of the traditional view of "women being the source of trouble". Pu's points of view can be considered as a significant progress on the long evolving way of sex concepts.
出处
《扬州大学学报(人文社会科学版)》
北大核心
2007年第4期41-46,51,共7页
Journal of Yangzhou University(Humanities and Social Sciences Edition)
关键词
《聊斋志异》
女祸论
女性身份隐性缺席
男性中心立场
Strange Tales from Make-Do Studio
women being the source of trouble
inconspicuous recession
male chauvinism