音乐审美关系中的主体和客体分析——兼论《声无哀乐论》中的音乐审美思想

An Analysis of Subject and Object in Music Aesthetic Judgement ——In Combination with the Study of the Music Aesthetic Viewpoints in Music Without Sorrow and Joy

嵇康的"声无哀乐"对音乐与情感的关系,音乐的审美特征等问题进行了深入的探讨。但是,通过对音乐存在的"三要素"和音乐审美中主客体的分析可知:嵇康的观点单纯强调音乐的自然物质属性和音乐的形态层面,忽视了音乐中存在人的主观意识,也忽视了音乐作品的社会历史属性,存在一定的片面性。

Issues such as the relationship between music and emotions, and the characteristics of music aesthetics were discussed by Ji Kang in Music Without Sorrow and Joy. Based on the analysis of the ＂three main elements＂ about music, as well as the aesthetic subject and object in music aesthetic judgement, the paper points out that Ji Kang emphasized, with a one-sided view, only the natural characteristics and form of music, and neglected the subjective feeling and the social and historical characteristics of the musical productions. Therefore, there is one-sidedness in the views of Ji Kang about his music aesthetics.