论李白“拟作闺音”的对照原则

On Antithesis of Li Bai's "Description of the Female World"

中国传统文学中常见男性作家"拟作闺音",其写作动机虽各有不同,但客观上却是为文学史上缺少话语权的妇女言志抒情。盛唐诗人李白在自由抒写主观情感与幻想之余,也怀着人道主义的同情心和人性探索的兴趣代闺中妇女歌与哭。它们不仅展现了李白豪放飘逸之外细腻的心理感悟,更重要的是他在此类作品中大胆地运用美学对照原则和诗歌艺术多重变奏的手法,开拓了"拟作闺音"柔弱与刚毅、细腻与豪放、阴柔与阳刚互相辉映、互为补充而又完美统一的美学境界。

In Chinese traditional literature, it is common that works describing female world are created by male authors. In spite of a variety of motivations, the objective fact is that these works are the representatives for females who take inferior state in literature history to express their emotions and wills. Li Bai, one of the most famous poets, expressed female happiness and sufferings with humanist sympathy and interest in human nature, while he displayed his own opinions and imaginations. These works for females not only exhibited his sentiments under the shadow of insolent and elegance, but also revealed the contrastive principles of aesthetics and the multi-variations of poesy that Li used boldly in them. Li＇s works exploits a new aesthetic ideal and state for describing the female world which is combined perfectly with softness and masculinity, exquisiteness and munificence.